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Pagodas and Cathedrals Thien Mu Pagoda
The name of the pagoda comes from a legend: a long ago, an old woman appeared on the hill where the pagoda stands today. She told local people that a Lord would come and build a Buddhist pagoda for the country's prosperity. Lord Nguyen Hoang, on hearing that, ordered the construction of the pagoda of the "Heavenly Lady".
The pagoda is situated on Ha
Khe hill, on the left bank of the Perfume River, in Huong Long village,
5km from Hue city. It was built in 1601, and then Lord Nguyen Phuc Tan had it renovated in 1665. In 1710, Lord Nguyen Phuc Chu had a great bell cast (2.5m high, 3.285kg) and in 1715, he had a stele (2.58 m high) erected on the back of a marble tortoise.
Several kings of the Nguyen
Dynasty such as Gia Long, Minh Mang, Thieu Tri and Thanh Thai, all had
the pagoda restored. Phuoc Duyen tower (at first called Tu Nhan tower)
was erected in 1884 by King Thieu Tri. This octagonal tower has seven
storeys (2m high). Dai Hung shrine, the main-hall
The pagoda is surrounded by flowers and ornamental plants. At the far end of the garden stretches a calm and romantic pine-tree forest. The pagoda was heavily damaged in 1943. Bonze Thich Don Hau hence organised a great renovation of the pagoda, that lasted for more than 30 years. Nowadays the pagoda is very well-maintained and very welcoming to all visitors.
Tu Dam Pagoda Tu Dam pagoda is one of the biggest pagodas in Hue. The pagoda was founded at the end of the 17th century (in about 1695) by the Venerable Minh Hoang Tu Dung, a Chinese who belonged to the 34th sect of the Lam Te school of Zen. He was the high-ranking monk who taught and gave the certification to monk Lieu Quan, the Buddhist initiator of Vietnam in the South. Tu Dam pagoda is now in the district of Truong An, on a beautiful piece of land: high, wide and flat. The pagoda is only 2km from the centre of Hue city, along Dien Bien Phu street, across Nam Giao Bridge up to the end of the first slope. The pagoda has a south-east orientation. Kim Phung mount in the front served as a natural wind-screen. Linh Quang pagoda and the temple dedicated to respectable patriot Phan Boi Chau stand on the left, and Thien Minh pagoda, in the back. Tu Dam is not the biggest nor the oldest pagoda in the country, but it is famous and nationally known for its important role in the process of development of Buddhism, and the struggle for peace and for freedom of religion. Tu Dam pagoda was designed following the model of a conference pagoda (Chua Hoi). The old and new architectures blend together creating spacious and harmonious elements. The three main parts of the pagoda are the three entrance gate, the main sanctuary and the conference House. The gate is high and wide with a tiled roof. Just inside the gate is a big bodhi tree, providing shadow all year around. As a branch, this bodhi tree was taken right from the bodhi tree under which Buddha reached Nirvana. Mrs Karpeies, Head of the French Buddhist Association, brought it back from India as a present offered to the pagoda and planted it there in 1936. The pagoda yard was built on a very large surface so that it can provide enough space for thousands of people. Every year, on Buddha's birthday, it is a gathering place where many important and most crowded festivals of Hue’s Buddhists take place. The main sanctuary consists of a service hall and an ancestors' altar. The service hall was built on a marble foundation 1.5m high with an old style roof forming a towering and impressive pagoda. On the edge and top of the roof are many curving, gentle, symmetric pairs of dragons creating a well-balanced and harmonious beauty. Under the ancient roof are frescoes telling Buddha’s stories. Many long couplets are hung on the pillars of the Service hall. The building is flanked by two stele and drum towers. Tu Dam pagoda worships one Buddha only, so that its appointments are rather simpler than that of other pagodas in Hue. In the temple, there is a Buddha Sakyamuni sitting on a lotus pedestal. There are an ancestors’ altar house and a monks’ house behind the main temple. The two storey Conference Hall is large and wide building with 10 rooms to meet the requirements of a conference pagoda . Tu Hieu Pagoda
The pagoda is located at Duong Xuan Thuong III hamlet, in Thuy Xuan village, 5km southwest of Hue. It faces the southeast and uses Ngu Binh mount as a front screen. The pagoda was originally a small hut built by Nhat Dinh in 1843, who was formerly recognized by royal authority as the monk of Giac Hoang Pagoda. In 1848, the pagoda was restored by monk Cung Ky with the help of the king's eunuchs and courtiers. Tu Hieu hence became a large pagoda. In 1894, it was rebuilt by Cuong Ky with the support of King Thanh Thai and the King's eunuchs created the half-moon lake. In 1962, the pagoda was renovated by Most Ven. Chon Thiet. And in 1971 the three entrance gate and the staff houses were rehabilitated by senior monk Chi Niem.
The pagoda was built in the
shape of the Chines,e character "Khau" (mouth), with the main building
consisting of three rooms and two wings. The main sanctuary is devoted
to the worship
The entrance gate to the
pagoda is a curved two storey structure. On the second storey, a statue
of the guardian spirit Ho Phap protects the pagoda. Inside the gate is a
crescent-lotus pond. On both sides of the courtyard are stele houses
engraved with the history of the pagoda. REDEEMER CHURCH
The Cathedral was built in 1937 and completed in 1942. The Cathedral located at the end of Nguyen Hue street, in Hue City.
The particular architecture
of the cathedral is its large doors without partitions. The verandah of
the Cathedral is largely designed in order to make w Main altar is made of rose marble and its bloc is 3.6m long, 1.25 m wide and 2.8 m high. Near by the main altar, there are two smaller ones also made of rose marble in bloc. In the Cathedral, there are dums, gongs deeply characterising East-Asian characters. Beyond the verandah, there is a small room to maintain remains of dead Christians ashes in small earthenware for worshipping (with burning incense stick). The campanile consists of four bells operated by electricity. The Cathedral of the Redeemer has its pointed cone stretching out to the sky and its main roof is covered by tiles, all of those show the combination of western and eastern architecture in design and construction. This is a cathedral of fine architecture in Hue City. Phu Cam Main Cathedral
Phu Cam main Cathedral is situated at Phuoc Vinh, Hue City. The Cathedral was built with modern architecture, designed by the architect Ngo Viet Duc. In early 1963, the construction of the Cathedral was built. To 1967 only the Saint Palace was built and then to 1965, the Cathedral was basically completed .Phu Cam cathedral was built by new concept of physical structure. Supporting pillars were concreted closely attached to the walls and gradually and supplely bended ahead. The three supporting pillars at each of four corners stretch out and create a fairly large space to embrace the whole of Saint Palace and Saint Altar. The interior of the Cathedral was built following classical tradition with Latin Holy Cross and two opening doors. There are two row of colour glass windows located in the upper interior of the Cathedral and in the middle, there is a Holy Cross made of steel and concrete. The Saint Palace is a round shape with foot steps and on the top there is a smaller round shape with the altar made of marble bloc. Temporary house was closely built to the backstage of the cathedral fitted in the concave part behind and settle on a high platform in the center. In the two wings of the crucifix, there is the tomb of the former archbishop Philipe Nguyen Kim Dien (1921-1988) in the left and in the opposite right - the altar for presenting the Saint. In front of the Phu Cam main cathedral there are two moulding statues: the Saint Phero is in the right, and in the left is Saint Paulo and other missionaries of the Phu Cam diocese.The open-space of Phu Cam main cathedral looks like an opening-mouth-dragon and in general Phu Cam cathedral with its top perpendicularly stretching to the sky is very purified and full of artistic and religious characters. |
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